Course

AI for Video Producers and Event Creatives

Client call to treatment to shot list to delivered cut, in two languages.

IntermediateVideo production

0/88 stops · about 2 hours · final quiz · certificate

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Start with

• AI at Work: FoundationsStart from zero and finish with three things you can actually use.

Who this is for

Freelance directors, videographers, editors and event producers who pitch, shoot, cut and deliver the same job themselves. Every example follows Ramez, a freelance film director and event producer in Egypt shooting corporate films, event coverage and promos with a small crew.

You will be able to

• Turn a client call into a treatment and a pitch deck in an afternoon
• Build the shot list, the schedule and the crew call sheet from the treatment
• Write the proposal and the budget table you price yourself
• Generate AI footage and imagery that fits the cut, with the look and the licence written down
• Write the edit script, the voice-over and the captions in Arabic and English
• Run an event with a run of show, a coverage plan and a same-night highlight reel

Stops

1. 1 The studio ProjectOne Project that holds what the studio does, what it has shot, what the films look like and the rule that Claude never prices anything. Set once
2. 2 Treatment and pitch deckA call transcript becomes a treatment, three directions that cost different amounts to shoot, and a pitch deck built in Claude Design the same afternoon. Weekly
3. 3 Shot list, schedule, call sheetTreatment beats become shots with kit attached, shots become a day ordered by light and location, and the day becomes a call sheet the crew can read at six in the morning. Weekly
4. 4 Proposal and budgetScope, deliverables and timeline written from the schedule, a budget table with every number left blank for Ramez, and a usage-rights paragraph that says media, territory and duration. Weekly
5. 5 AI footage and imageryEvery generated clip replaces a named row on the shot list, carries the house look, contains no real person and no client logo, and arrives with its licence written into the delivery note. Daily
6. 6 Edit script, voice-over, captionsInterview transcripts become a paper edit, the script is written in Arabic and English against the same timings, the voice-over is marked up for the read, and the caption files come back checked by a person. Daily
7. 7 EventsA client agenda becomes a run of show with a branch for every overrun, a coverage plan that names which camera owns which moment, and a highlight reel scripted the same night. Weekly
8. 8 Ramez's weekThree routines with a day and a time, Dispatch from the wrap, a cheat sheet for the whole course, and one film taken from the client call to the delivered cut. Weekly

Final quiz